Born: Gföhl, Lower Austria (1963) Lives & Works: New York, NY
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Crystal Matrix, 2011
Computer-controlled LED and Sound Installation
Swarovski, Innsbruck, Austria
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Set Design for Dance Performance “Fragile Dwellings”, 2011
Computer-Controlled RGB-LEDs
30′ (H) x 40′ (W) x 40′ (L)
Luckman Fine Arts Complex
Set Design for Dance Performance “Fragile Dwellings”, 2009
Light Up, 2011
Computer-controlled LED Installation
8′ 10" (H) X 26′ 2" (W) X 26′ 2" (L)
Galerie Goettlicher, Krems/Stein, Austria
Fetch, 2010
65′ (H) X 12′ (W) X 517′ (L)
Wexner Center for the Arts, Columbus, OH
Speed Shift, 2010
20′ (H) X 50′ (W) X 50′ (L)
Bowling Green State University, Bowling Green, OH
Benchmark, 2010
4′ 6" (H) X 21′ 8" (L)
Beach Museum, Kansas State University, Manhattan, KS
Gradient Red, 2009
Computer Controlled LED Installation
Dimensions variable
Ace Gallery
Flow, 2007
100’ (W) x 60’ (D) Variable
Berlin
Fade, 2007
17′ (H) x 50’ 4” (W) x 59’ 7" (D) (Variable)
Ace Gallery Beverly Hills, 2007
Morph, 2007
LED Installation
8’ 11” (H) x 10’ 6” (W) x 28’ 10” (D) Variable
(Detail)
Matrix XVI (White-Blue Gradiant), 2007
8’ 5” (H) x 15’ 8” (W) (Variable)
Tilt, 2007
8’ 5” (H) x 14’ 10” (W) x 18’ 11” (D) (Variable)
Speed Shift, 2007
Computer Controlled LED Installation with Sound
4 1/2” (H) x 30’ (W) x 30’ 6” (D) (Variable)
Matrix XV, 2007
LED Installation with Fiber-Optics
10’ (H) x 42’ (W) x 58’ (D) (Variable)
Cracks (Six Color Variations), 2005
Paint on Paper
40" (H) x 26"(W)
Crack (Two Black Circles), 2005
19"(H) x 25"(W)
Untitled (Solder Drawing – Positive), 2002
Solder on Paper
50" (H) x 38"(W)
Untitled (Solder Drawing – Negative), 2002
Matrix II, 2000-2005
22′(H) x 40′(W) x 50′(D)
Ecstacy: In and About Altered States, Museum of Contemporary Art, Los Angeles
(Photograph by Ira Lippke)
Dots, 2005
Fiber-Optic LED Installation
12′(H) x 12′(W)
Anthony Grant Gallery, New York, NY
(Photograph by Max Spitzenberger)
Matrix XIV, 2005
10′(H) x 50′(W)
Bloomberg Headquarters, New York, Permanent Installation
Fade II, 2004
9′(H) x 19′(W) (Variable)
Haeusler Contemporary, Munich, Germany
Matrix XIII, 2004
9′(H) x 7′(W) (Variable)
(Photograph by Florian Holzherr)
Random Progression, 2005
Seven Drawings: Ink and Pencil on Paper
18 1/2"(H) x 24 1/2"(W) Each
Ace Gallery Los Angeles, 2006
Cracks (Ring) & Cracks (Circle), 2005
2 Diptychs: 35"(H) x 47 1/4"(W) Each Panel
(Installation View)
Cracks(Ring), 2005
Diptych: 35"(H) x 47 1/4"(W) Each Panel
(detail)
Matrix XII, 2003
30′(H) x 50′(W) x 120′(D) (Variable)
Chinati Foundation: Marfa, Texas
(Front View)
(Rear View)
(Top View)
Flow, 2003
Computer-Controlled LED Installation
28′(H) x 90′(W)
After Image, Wood Street Galleries: Pittsburgh, PA
Matrix X, 2003
20′(H) x 140′(W) (Variable)
Licht!, Berliner Festspiele: Berlin, Germany
Matrix XVII, 2007
12′ (H) x 6′ (W)
Fade III, 2005
50′(W) x 80′(H)
"Lights on Tampa," Florida
80′(W) x 50′(H)
(Red Phase)
80′(H) x 50′(W)
(Pink Phase)
(Blue Phase)
Fade I, 2004
95′(H) x 50′(W) x 50′(D)
Eglise Sainte-Marie Madeleine
Matrix IX, 2002
LED Installation & Wall Painting
12′(H) x 7′(W) x 12′(D)
Riva Gallery: New York, NY
Matrix VIII, 2002
32′(H) x 10′(W)
POST: Los Angeles, CA
Matrix VI, 2002
52′(H) x 84′(W) x 20′(D)
Whitney Biennial, 2002
Matrix V, 2003
15′(H) x 12′(W) (Variable)
Permanent Installation: 125 Maiden Lane, New York, NY
Matrix V, 2001
12′(H) x 10′(W) x 20′(D)
Stein/Krems, Austria
Matrix IV, 2001
50′(H) x 50′(W) x 20′(D)
Brooklyn Anchorage: Brooklyn, New York, NY
Matrix III, 2001
12′(H) x 16′(W) x 35′(D) (Variable)
Florence Lynch Gallery: New York, NY
Matrix II, 2000-2003
12′(H) x 26′(W) x 36′(D)
Matrix II, 2000-2002
Galerie Stadtpark: Krems, Austria
(Street View)
Matrix I, 2000-2002
12′(H) x 20′(W) x 35′(D)
Austrian Cultural Forum: New York, NY
30′(H) x 20′(W) x 75′(D) (Variable)
Calvin Klein Store: Madison Avenue, New York, NY
(Photograph by John Silvis)
30′(H) x 20′(W) x 75′(D)
16′(H) x 30′(W) x 40′(D)
Yes-No: Bitola, Republic of Macedonia
Serpent II, 2000
20′(H) x 40′(W) x 45′(D) (Variable)
Essl Museum: Vienna, Austria
Serpent II, 2005
(Red Phase Detail)
(Blue Phase Detail)
Blue Line, 2000-2003
10′(H) x 10′(W) x 8′(D)
Art Omni: Omni, NY (2000)
Shifting, Very Slowly, 1998-1999
16′(H) x 25′(W) x 40′(D)
Apex Art: New York, NY (1999)
Light Volume, 1998
2′(H) x 2′(W) x 2′(D)
Modular Composite: Central FIne Arts, New York, NY
Spatial Gradient, 1998
10′(H) x 2′(W) x 40′(D)
Austrian Cultural Institute: New York, NY
Planes, 1997
12′(H) x 40′(W) x 2′(D)
Punto Ciego (Blind Spot), Art & Idea: Mexico City, Mexico (1999)
3 x 3 = 9, 1998
Light Installation
12′(H) x 4′(W) x 12′(D)
Studio P.S.1 Contemporary Art Center: Queens, NY
Framed, 1998
14′(H) x 30′(W) x 30′(D) (Variable)
Wish You Luck, P.S.1 Contemporary Art Center: Queens, NY
Keep In Mind, 1997
Computer Installation
3′(H) x 5′(W) x 5′(D)
Mac Classic – The Immaculate Machine: Postmasters Gallery, New York, NY
Step By Step, 1996
20′(H) x 4′(W) x 10′(D) (Variable)
Password: Ferdydurke, Postmasters Gallery, New York, NY
Corner Study II, 1996-2002
12′(H) x 20′(W) x 35′(D) (Variable)
Signal to Noise, Location One: New York, NY (1996)
16′(H) x 14′(W) x 14′(D)
ISEA, Art Institute of Chicago: Chicago, IL (1997)
Parallel Mesmeration of 11 Blondes and 11 Brunettes by Two Computers, 1995
3′(H) x 4′(W) x 5′(D)
Power!, Visual Arts Gallery: New York, NY
Parallel Doubt on the Distinction Between Truth and Beauty, 1994
14′(H) x 20′(W) x 35′(D)
Blau-Gelbe Galerie: Vienna, Austria (1995)
Sex is a Dirty Thing, 1991
Multimedia Installation
10′(H) x 20′(W) x 20′(D) (Variable)
Deautsch – Cesko: Palace Metro Gallery, Prague, Czech Republic
(Photograph by Norbert Stock)
Walztanz, 1989
Multimedia Performance
50′(H) x 50′(W) x 120′(D) (Variable)
Kunsthalle Krems: Stein, Austria
(Photograph by Hildegund Berghold)
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