Born: Los Angeles, CA (1958) Lives & Works: Los Angeles, CA
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Glossolalia #1, 2010
Oil, aluminum paint and acrylic on canvas
96" (H) x 98" (W)
Ace Gallery
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Glossolalia #2, 2010
Glossolalia #3, 2010
93" (H) x 72" (W)
Glossolalia #4, 2010
45" (H) x 40" (W)
Glossolalia #5, 2010
Glossolalia #6, 2010
40" (H) x 36" (W)
Glossolalia #7, 2010
84" (H) x 77" (W)
Glossolalia #8, 2010
Glossolalia #9, 2010
Glossolalia #10, 2010
Glossolalia #11, 2010
60" (H) x 52" (W)
Glossolalia #12, 2010
60" (H) x 55" (W)
Glossolalia #13, 2010
96" (H) x 84" (W)
Glossolalia #14, 2010
Glossolalia #15, 2010
Woman in a Chair, 2009
Oil on canvas
(Installation view)
Ace Gallery, Beverly Hills 2010
Woman in a Chair (Dark Eyes), 2009
Flashe on canvas
63" (H) x 48" (W)
Ace Gallery, Beverly Hills
Woman in a Chair (Orange and Pink), 2009
Woman in a Chair (Girl from the North Country), 2009
Oil and Flashe on canvas
48" (H) x 36" (W)
Woman in a Chair (Long Hair), 2009
Woman in a Chair (Long Hair 2), 2009
Woman in a Chair (Pink Nude), 2009
Woman in a Chair (Flower Girl), 2009
Woman in a Chair (Pointer), 2009
63" (H) X 48" (W)
Woman in a Chair (Blue Dress), 2009
Woman in a Chair (Love Sick), 2009
John Millei: Woman in a Chair (Installation view), 2009
Ace Gallery, Beverly Hills 2009
Woman in a Chair (Weeping Woman), 2009
100" (H) x 84" (W)
Woman in a Chair (Sad Head), 2009
Woman in a Chair (Pink and Yellow), 2009
Woman in a Chair (Kate Moss), 2009
Woman in a Chair (Burberry), 2009
Woman in a Chair (Blue Tears), 2009
Woman in a Chair (Black on Black), 2009
Woman in a Chair (Blinkers), 2009
Woman in a Chair (M.V.P. Laughing), 2009
100" (H) X 84" (W)
Woman in a Chair (Bewildered), 2009
Woman in a Chair (Surprise), 2009
Woman in a Chair (Plaids), 2009
Woman in a Chair (In Blue), 2009
Woman in a Chair (All Smiles), 2009
Woman in a Chair (Pick up Sticks), 2009
Woman in Chair (After Picasso), 2009
John Millei: Procession (Installation view), 2006
Ace Gallery, Beverly Hills 2006
Procession 100A, 2005
Oil on Linen
20"(H) x 24"(W)
Ace Gallery Beverly Hills, 2006
Procession 100B, 2005
Procession 101, 2005
Procession 102, 2005
Ace Gallery Beverly Hills, 2005
Procession 103, 2005
Procession 104, 2005
16"(H) x 20"(W)
Procession 105, 2005
Procession 106, 2005
Procession 107, 2005
Procession 109, 2005
Untitled, 2006
Clay
7"(H) x 3 1/2"(W) x 1"(D) Each Piece, 48"(H) x 48"(W) x 12"(D) Pedestal
Queen Anne’s Revenge I, 2009
Oil and aluminum paint on canvas
136" (H) x 300¼" (W)
Queen Anne’s Revenge II, 2009
Queen Anne’s Revenge III, 2009
136" (H) x 252¼" (W)
John Millei: Maritime Paintings, 2004
Ace Gallery, Beverly Hills 2004
Untitled, 2007
Oil, Ink, and Graphite on Mylar
48" (H) X 66" (W)
Maritime #46 (Venetian), 2007
Maritime #47 (Venetian), 2007
Maritime #48 (Venetian), 2007
48′ (H) X 66" (W)
Maritime #49 (Venetian), 2008
Oil on Canvas
148" (H) X 204" (W)
Maritime #50 (Venetian), 2008
Oil, Ink Graphite Aluminum Paint on Canvas
84" (H) X 66" (W)
Maritime #51 (Venetian), 2008
Oil and Acrylic on Canvas
84" (H) x 66" (W)
Maritime #52 (Venetian), 2008
84" (H) X 58" (W)
Maritime #53 (Venetian), 2008
Maritime #54 (Venetian), 2008
Maritime #55 (Venetian), 2007
48" (H) X 168" (W)
Maritime #14 (The Underworld), 2004
10′(H) x 10′ 6"(W)
Ace Gallery Beverly Hills, 2004
Maritime #15 (Deep Waters), 2004
3′(H) x 5′(W)
Maritime #16 (Still Waters), 2004
5′(H) x 4′ 7"(W)
Maritime #3 (Concerning a Drowning Girl), 2004
9′ 2"(H) x 12′(W)
Maritime #10 (Deluge), 2004
9′(H) x 10′(W)
(Detail)
Maritime #5 (The Evening of the Deluge), 2004
11′(H) x 18′(W)
Maritime #23 (Quiet Silent), 2004
5′ 5"(H) x 5′ 10"(W)
Maritime #2 (Swell), 2004
2′(H) x 2’2"(W)
Maritime #13 (Siren), 2004
1′ 4"(H) x 1′ 8"(W)
Maritime #9 (The Morning After), 2004
8′(H) x 8′(W)
Maritime #1 (Little Deluge), 2004
1′ 6"(H) x 1′ 2"(W)
Maritime #11 (Navigator), 2004
8′(H) x 9′ 2"(W)
Maritime #12 (Les Travailleurs de la Mer), 2004
Maritime #17 (HMS Bounty), 2004
11′(H) x 8′(W)
Maritime #18 (Black Pearl), 2004
12′(H) x 9′ 2"(W)
Maritime #20 (Early Navigation), 2004
7′(H) x 6′ 7"(W)
Maritime #4 (View from the Deck), 2004
Oil and ACrylic on Canvas
7′(H) x 6′ 5"(W)
Maritime #6 (Ship’s Deck), 2004
Maritime #7 (Set & Drift), 2004
Ace Gallery Beverly Hills
Maritime #8 (Navigation & Commerce), 2004
6′ 5"(H) x 7′(W)
Maritime #25 (View from the Deck), 2004
Maritime #34, 2006
70 1/2"(H) x 66"(W)
Maritime #35, 2006
70"(H) x 68"(W)
Maritime #36, 2006
55"(H) x 60"(W)
Maritime #37, 2006
36"(H) x 32"(W)
Maritime #38, 2006
Maritime #39, 2006
40" (H) x 47" (W)
Maritime #40, 2006
34"(H) x 36"(W)
Maritime #41, 2006
98"(H) x 110"(W)
Maritime #42 (HMS C.K.), 2005
55" (H) x 60" (W)
Maritime #43, 2007
Maritime #44, 2007
John Millei: White Squall Series (Installation view), 2005
Ace Gallery, Beverly Hills 2005
Ship of Fools, 2005
40"(H) x 45"(W)
During the Squall, 2005
120"(H) x 126"(W)
Allegory of a Shipwreck, 2005
110"(H) x 99"(W)
Lost To All Hope, 2005
Before the Squall, 2005
108"(H) x 120"(W)
Untitled, 2003
40"(H) x 36"(W)
36"(H) x 40"(W)
40" (H) x 37" (W)
John Millei: The Real Life of Flowers (Installation view), 2002
Ace Gallery, Los Angeles 2002
Ace Gallery Los Angeles, 2002
The Real Life of Flowers #1 (Sun Space at the Growing Point), 2002
84"(H) x 77"(W)
Ace Gallery Los Angeles, Summer 2002
The Real Life of Flowers #2 (Flowers as a Determination of Measure), 2002
The Real Life of Flowers #3 (Radial Below, Enveloping Above), 2002
The Real Life of Flowers #4 (Radial & Peripheral Formations), 2002
The Real Life of FLowers #7 (Unfolding Growth & Plastic Outline), 2002
Voodoo #1, 2002
Voodoo #2, 2002
Voodoo #3, 2002
Voodoo #4, 2002
Voodoo #5, 2002
Medusa #1, 2002
Medusa #2, 2002
Medusa #3, 2002
Medusa #4, 2002
Ace Gallery Los Angeles
Flower Painting #1, 2001
Flower Painting #2, 2001
Flower Painting #3, 2001
Flower Painting #4, 2001
If Flowers Could Dream #1, 2001
If Flowers Could Dream #2, 2001
If Flowers Could Dream #3, 2001
If Flowers Could Dream #4, 2001
If Flowers Could Dream #5, 2001
Oil & Acrylic on Canvas
If Flowers Could Dream #7, 2001
If Flowers Could Dream #8, 2001
Black Flower, 1999
Oil on Acyrlic on Canvas
30"(H) x 33"(W)
Wallflower #2, 1993
42" (H) x 36" (W)
Flower Power #2 (For V.V.), 1993
11′(H) x 8′ 4"(W)
Flower Power (In Memory of A.W.), 1992
132"(H) x 99"(W)
Portrait of F.P., 2003
60" (H) x 45" (W)
Portrait of B.P., 2003
Portrait of G.M., 2003
Portrait of M.K., 2003
Portrait of P.P., 2003
Seven Days, Seven Seas #1, 2002
Oil and Gesso on Canvas
20" (H) x 16" (W)
Seven Days, Seven Seas #2, 2002
Seven Days, Seven Seas #3, 2002
Seven Days, Seven Seas #4, 2002
Seven Days, Seven Seas #5, 2002
Seven Days, Seven Seas #6, 2002
Seven Days, Seven Seas #7, 2002
For Surfing #1, 2001-02
138"(H) x 80"(W)
For Surfing #2, 2001-02
Oil & Gesso on Canvas
For Surfing #3, 2001-02
Twelve Months #1, 2001-02
11′ 6"(H) x 6′ 8"(W)
Twelve Months #2, 2001-02
Twelve Months #3, 2001-02
Twelve Months #4, 2001-02
Twelve Months #5, 2001-02
Twelve Months #6, 2001-02
Twelve Months #7, 2001-02
Twelve Months #8, 2001-02
Twelve Months #9, 2001-02
Twelve Months #10, 2001-02
Twelve Months #11, 2001-02
Twelve Months #12, 2001-02
Some Days, 2002
Untitled, 2002
32"(H) x 36"(W)
8"(H) x 10"(W)
John Millei: Annus Mundi Series (Installation view), 1998-2000
Ace Gallery New York, 2000
Annus Mundi, 1999-2000
60"(H) x 55"(W)
Annus Mundi, 1999
Annus Mundi (AKA French Landscape), 1999
Annus Mundi (1), 1998-1999
Annus Mundi (2), 1998-1999
Annus Mundi (4), 1998-1999
Annus Mundi (5), 1998-1999
Annus Mundi (6), 1998-1999
Various Flowers #4, 1999
Terra Incognita #2, 1999
96" (H) x 138" (W)
Terra Incognita #3, 1999
96" (H) x 120" (W)
Terra Incognita #7, 1999
Terra Incognita #8, 1999
Terra Sub Terra #2, 1999
100"(H) x 102"(W)
John Millei: Terra Silver Terra Series (Installation view), 1997
Ace Gallery Los Angeles, 1998
Terra Silver Terra Series (Installation view), 1997
Silver Terra #1, 1997
Alkyd and Acrylic on Canvas
101"(H) x 68"(W)
Ace Gallery Los Angeles, November 1998
Silver Terra #5, 1997
84"(H) x 108"(W)
Silver Terra #7, 1997
108"(H) x 126"(W)
Stoma #1, 1997
85 1/2"(H) x 73 1/2"(W)
Stoma #2, 1997
Stoma #4, 1997
85 1/2” (H) x 73 1/2” (W)
Friendly Pressure #1, 1996
Oil and Polymer on Canvas
9′ 10"(H) x 13′ 4"(W)
Friendly Pressure #2, 1997
Friendly Pressure #5, 1997
55"(H) x 47"(W)
The Edge Beyond the Edge, 1997
61 1/2” (H) x 52 1/2" (W)
It Is True, 1997
49 1/2” (H) X 43 1/2” (W)
Homesick, 1997
73 1/2" (H) x 64 1/2"(W)
National Character, 1997
Between The Devil And The Deep Blue Sea, 1996
9′ 5"(H) x 11′ 6"(W)
Liar, 1996
9′ 4"(H) x 11′ 6"(W)
Hear No Evil, See No Evil, Speak No Evil, The Dilemna of Jack The Bell Boy, 1996
9′(H) x 10′ 6"(W)
John Millei: Imperfection of Memory Series (Installation view), 1996
Ace Gallery New York, 1996
Imperfection of Memory #1, 1996
109 1/2"(H) x 85 1/2"(W)
Imperfection of Memory #2, 1996
John Millei: Nerve Meter Series (Installation view), 1995
Ace Gallery Los Angeles, 1995
Ace Gallery Los Angeles 1995
Nerve Meter #1, 1994-95
Oil and Polymer Emulsion on Canvas
108" (H) x 60" (W)
Nerve Meter #2, 1994-95
Nerve Meter #3, 1994-95
Nerve Meter #4, 1994-95
Nerve Meter #7, 1995
96" (H) x 96" (W)
Nerve Meter #8, 1995
Nerve Meter #9, 1995
Nerve Meter #10, 1995
Untitled Picture For The Future #1, 1994
9’ (H) x 6’ (W)
Untitled Picture For The Future #3, 1994
Untitled Picture For The Future #4, 1994
Untitled Picture For The Future #5, 1994
Untitled, 1995
The History of Ships, 1993-94
10′(H) x 10′(W)
Par Four #2, 1993
92 1/2"(H) x 71" (W)
Par Five, 1993
6′ 2"(H) x 5′(W)
Par Seven, 1993
74"(H) x 60"(W)
Par Seven #2, 1993
6′ 2"(H) x 5′(W0
Mischief Maker, 1993
8′ (H) x 9" 2" (W)
Untitled, 1993
Quicksilver Series, Installation Shot, 1991
Acrylic on Canvas
All 11′(H) x 11′(W)
Quicksilver Series, Installation View, 1992
All Paintings: 11′(H) x 11′(W)
Ace Gallery New York
Quicksilver A #1, 1991
11′(H) x 11′(W)
Quicksilver B #2, 1991
Quicksilver C #3, 1991
Quicksilver D #4, 1991
Quicksilver E #5, 1991
Quicksilver F #6, 1991
Couple #1 (From the Quicksilver Series), 1992
Couple #2 (From the Quicksilver Series), 1992
Couple #3 (From the Quicksilver Series), 1992
Couple #4 (From the Quicksilver Series), 1992
Most of The Time, 1992
132"(H) x 132"(W)
John Millei: Matador Series (Installation view), 1991
Ace Gallery Los Angeles, 1991
Matador #1, 1991
Gesso and Alkyd on Canvas
132" (H) x 132" (W)
Matador #2, 1991
Return (Lasso #5), 1991
8’ 2” (H) x 7’ 2” (W)
Lancelot (For Walker Percy), 1991
132"(H) x 108"(W)
All This And Nothing, 1991
73"(H) x 60"(W)
No Reason (Tryptych), 1990
54"(H) x 166"(W) Overall
Our History Is No Mystery, 1990
Oil Base Paints on 100 Metal Plates
Various Sizes
Untitled, 1990
41 Pieces, Oil Base Paints On Metal
Approx. 4’ (H) X 20’ (W) Overall
Before and After, 1990
78"(H) x 61"(W)
The Paradox of Being Absolutely Arbitrary, 1990
Ace Without Words (In Memory of Samuel Beckett), 1989/90
Oil, Gesso, and Acrylic Emulsion on Canvas
120"(H) x 120"(W)
Walker Evans, 1989
132" (H) x 108" (W)
Fool For Love, 1989
The Measure, 1989
72" (H) x 48" (W)
Constellation #1 (When Structure Fails, Rhyme Attempts to Come to Rescue), 1989
110"(H) x 100"(W)
The Disinherited Mind #1, 1989
92 1/2"(H) x 72"(W)
The Disinherited Mind #3, 1989
Tree #2, 1989
110"(H) x 96"(W)
Tree #1, 1987
110” (H) x 96” (W)
John Millei In Studio,
24 Years Old
1981
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